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• 1626. Henry Feingold

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1627. Lore Oppenheimer and Hermann Ziering - Society of the Survivors of the Riga Ghetto (New York)

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1628. Roswell McClelland

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1629. Hersh Smolar - Minsk ghetto

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1630. Auschwitz

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1631. Shmuel Tamir

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1632. Martha Michelsohn - Chelmno

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1633. Franz Schalling - Chelmno, gas van

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1634. Czeslaw Borowi - Treblinka

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1635. Yehuda Lerner - Sobibor

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1636. Mordechai Podchlebnik - Chelmno

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1637. Maurice Rossel - Red Cross

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1638. Gertrude Schneider

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1639. Heinz Schubert - Einsatzgruppen

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1640. Abraham Bomba - Treblinka

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1641. Andre Steiner

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1642. Leib Garfunkel - Ghetto Kovno

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1643. Siegmunt Forst

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1644. Hansi Brand

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1645. Ehud Avriel

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1646. Jacob Arnon

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1647. Peter Bergson and Samuel Merlin - New York

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1648. Chelmno (CH)

  https://www.newyorker.com/culture/postscript/claude-lanzmann-changed-the-history-of-filmmaking-with

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• 1649. 1941 年 6 月のソ連侵攻

  

  征服したわずか数週間後、ヒトラーはその翌年中にソ連を攻撃することを決定しました。1940 年 12 月 18 日、ヒトラーは総統指令第 21 号（コード名「バルバロッサ」作戦）に署名しました。これはソ連

  ホロコースト百科事典

• 1650. 一般民衆への欺瞞

  

  。 ユダヤ人は強制労働のために東方へ移送されているのだという公式の発表が、高齢者や傷病退役軍人、著名な音楽家や芸術家のユダヤ人については信じ難いとするドイツ人が出ることを予測したナチス政権は、皮肉にも高齢者や ... 必ずしも信じませんでした。 「数万人、数十万人というユダヤ人を駆除することが可能だということを、常識では理解できなかった」と、ワルシャワのユダヤ人レジスタンスの指導者、イツハク・ツケルマンは語りました

  ホロコースト百科事典

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