For, just as Napoleon lived entirely without feeling for a fatherland: just as he would gladly have made his career anywhere, and merely placed the French before other peoples because he chanced to be their emperor, so, on the other hand, Stein lived and wrought entirely for the sake of his fatherland; and his Teutonic solidity (firmly rooted in his native soil),...remained estranged from the agility, the swiftness, which was so essential a part of Napoleon's makeup, and which the emperor used so adroitly. Here was a statesman whose one thought was Germany and the Germans, who wanted unity among the stocks speaking the same speech, even if such unity had to be achieved against the wishes of the weakling princes. -Napoleon, 1924
WORKS PICTURED Genie und Charakter, 1924 cover
WORKS BURNED All works published before May 1933
Liberal journalist and popular biographer Emil Ludwig (1881-1948), son of assimilated Jewish parents, briefly converted to Protestantism at age 21. He returned to Judaism after the assassination of Walter Rathenau, the foreign minister of Germany during the first years of the Weimar Republic and also an assimilated Jew. In 1906, Ludwig moved to Switzerland where he spent most of his life. He was known for a series of biographies about historical figures, including a controversial 1926 work about Bismarck, as well as biographies of Goethe, Michelangelo, Jesus, Napoleon, Sigmund Freud, and Ferdinand Lassalle, among others. After the Nazis came to power, Ludwig remained in Switzerland. From his home in Ascona, he wrote articles critical of Nazi rule and actively assisted fellow intellectuals seeking to flee Germany. The Nazis banned and burned all of Ludwig's works because of his opposition to Nazi rule, his Jewish heritage, and his sometimes controversial biographies, which they considered "un-German." In 1940, Ludwig emigrated to the United States.