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Westerbork Deportation

Film | Digitized | Accession Number: 1992.246.1 | RG Number: RG-60.0818 | Film ID: 519

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    Westerbork Deportation

    Overview

    Description
    Deportations at Westerbork transit camp. People with Star of David on their coats at railroad station, with bundles. Barracks can be seen in the background. Well dressed men and women. People getting onto freight cars. Confusion. MS, crowd in front of freight car. Two officers walking by. People wave goodbye from inside of train. Sick woman (Ms. Frouwke Kroon - 1882-1944) lying on a wooden cart being wheeled into train station. Guards with dogs. 00:07:38 Sophia de Groot at far left of the door opening on train wagon #9, gesturing to someone on the platform. Boxes filled with food, cigarettes. WS, INT of the car with people sitting on floor. CU, white chalk sign on freight car's door "74 PERS." 00:08:05 Sinti girl Settela Steinbach with head scarf (over shaved head), looking through slightly opened car door, on May 19, 1944. Doors being closed by Jewish policeman and Westerbork camp inmate Hans Margules, more soldiers with dogs. Guards do paper work. Locomotive brought in. Train pulls out (part passenger on the way to Bergen-Belsen [Celle], part freight cars on the way to Auschwitz), officers jump on train. People's faces and hands can be seen through small freight car windows. Long shots of train traveling.
    Film Title
    Westerbork-film
    Duration
    00:04:42
    Date
    Event:  1944 May 19
    Production:  1944
    Locale
    Westerbork, Netherlands
    Credit
    Accessed at United States Holocaust Memorial Museum, courtesy of Nederlands Instituut voor Beeld en Geluid
    Contributor
    Producer: Albert K. Gemmeker
    Camera Operator: Rudolf Breslauer
    Subject: Settela Steinbach
    Biography
    Lagerkommandantur Westerbork
    Rudolf Breslauer (1903-1944) was a photographer and lithographer by trade, educated at the Academy for Art Photography in Germany. He was married to Bella Weihsmann and had three children: Stephan, Mischa, and Ursula. They fled Leipzig and settled in the Netherlands in 1938. In the summer of 1940, non-Dutch Jews were forced to leave Leiden because the city was near the sea. The Breslauers moved to a boarding house in Alphen aan de Rijn and left for Utrecht shortly thereafter. On February 11, 1942, they were sent to Westerbork, where Rudolf Breslauer was ordered to make passport photos of incoming camp prisoners and film daily life in Westerbork. In the spring of 1944, the camp commander commissioned Breslauer to make what would later be known as the Westerbork-film. In September 1944, Breslauer and his family were deported to Theresienstadt with other privileged prisoners and subsequently deported to Auschwitz in October 1944. Only Ursula survived the camp.
    Anna Maria "Settela" Steinbach was born on December 23, 1934 in Buchten (the seventh of ten children). Her father, Heinrich "Moeselman" was a trader and a violinist, her mother, Emilia "Toetela" ran their household. In July 1943, the German occupation authorities in the Netherlands instituted a prohibition against the movement of wagons and concentrated them in assembly camps. Settela and her family ended up in Eindhoven, and were rounded up and transferred to Westerbork transit camp on May 16, 1944. Settela was filmed in Westerbork on the May 19, 1944 train transport to Auschwitz, moments before the railcar door was bolted and locked. The 246 Sinti and Roma, including Settela and some of her family members, were in goods wagons 12 to 17, just at the moment that Jewish prisoner Rudolf Breslauer was ordered by camp commander Gemmecker to film the events. Settela was gassed in Auschwitz-Birkenau, probably during the night of 2-3 August 1944, possibly along with her mother, two brothers, and two sisters, and other Sinti and Roma during the Zigeunerlager liquidation. Consult "Settela" by Aad Wagenaar and the documentary film "Settela" by Dutch filmmaker Cherry Duyns (1994).

    Physical Details

    Language
    Silent
    Genre/Form
    Amateur.
    B&W / Color
    Black & White
    Image Quality
    Fair
    Time Code
    00:05:47:00 to 00:10:29:00
    Film Format
    • Master
    • Master 519 Video: One Inch - NTSC
      Master 519 Video: One Inch - NTSC
      Master 519 Video: One Inch - NTSC
      Master 519 Video: One Inch - NTSC
    • Preservation
    • Preservation 519 Video: Betacam SP - NTSC - small
      Preservation 519 Video: Betacam SP - NTSC - small
      Preservation 519 Video: Betacam SP - NTSC - small
      Preservation 519 Video: Betacam SP - NTSC - small

    Rights & Restrictions

    Conditions on Access
    You do not require further permission from the Museum to access this archival media.
    Copyright
    Public Domain
    Conditions on Use
    To the best of the Museum's knowledge, this material is in the public domain. You do not require further permission from the Museum to reproduce or use this material.

    Keywords & Subjects

    Administrative Notes

    Film Provenance
    The film footage was purchased by the United States Holocaust Memorial Museum in July 1992 from the Rijksvoorlichtingsdienst Film-en fotoarchief van de Rijksvoorlichtingsdienst in the Hague, Netherlands.
    Note
    See also Story 2101, Film ID 2240 for a longer segment.

    This film was commissioned by camp commander Konrad Gemmeker to convince the Gestapo headquarters of Westerbork's vital production value. The Jewish prisoner Werner (Rudolf) Breslauer documented activities at the transit camp with a 16mm film camera. Discovered after liberation, the footage contains some of the most famous and often reproduced images of deportation. The Westerbork-film was nominated for inclusion in the UNESCO Memory of the World Register of documentary heritage in 2017. For more information, consult the book "Settela" by Aad Wagenaar.

    According to this book (p. 95), the 16-year-old Crasa Wagner (a Sinti girl) was also on the deportation train to Auschwitz. She remembers Settela's mother crying out as the doors were being bolted shut from the outside, "Get away from there, otherwise your head will get stuck!" Crasa, seated on the floor behind her, believes that Settela was "looking at a dog which was walking along outside the train. It was a light-coloured dog, quite large. Her mother moved her away from the door at the last moment."
    Film Source
    Rijksvoorlichtingsdienst Film-en fotoarchief
    File Number
    Legacy Database File: 1122
    Source Archive Number: 2-1167 akte 1
    Record last modified:
    2024-02-21 07:53:15
    This page:
    https:​/​/collections.ushmm.org​/search​/catalog​/irn1000604

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