United States Holocaust Memorial MuseumPublic Programs
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  Thursday, January 30, 2003, 7 p.m.

A young Willem Arondeus in his flat in Blaricum, the Netherlands.
A young Willem Arondeus in his flat in Blaricum, the Netherlands. During the war, Arondeus led a gay resistance group in Amsterdam responsible for bombing the Amsterdam Population Registry offices in an effort to destroy government records of Jews and others sought by the Nazis. As a result, Arondeus was executed in 1943. United States Holocaust Memorial Museum #21533

Admission is free for all programs, but reservations are required. Call 202.488.0407.

Coming into Focus: Filmmakers Depict the Experiences of Homosexual Victims of the Nazi Era

In the years following World War II, the history of Nazi persecution of homosexuals was almost entirely unknown, shrouded by the social taboos that prevailed in both North America and Europe. For example, in the Federal Republic of Germany (West Germany), the Nazi penal code regarding restrictions on homosexual behavior remained on the books until the decriminalization of homosexual relations between adults in 1969. It was not until the mid-1970s that the fate of homosexual victims under Nazism began to be acknowledged, and several more years would pass before filmmakers sought out the few remaining survivors for interviews. In the last several decades, a growing number of filmmakers has sought to document and to dramatize these stories of survival and resistance, hand in hand with progress in historical research. In this presentation, James D. Steakley shows clips from selected documentary and feature films that trace advances in our understanding of what homosexual men and lesbians experienced during the Nazi era.

James D. Steakley

James D. Steakley is a professor in the Department of German at the University of Wisconsin-Madison. He has taught courses on gay studies at Wisconsin and at the Universities of Berlin, Hannover, and Freiburg. He is the author of the pioneering historical study The Homosexual Emancipation Movement in Germany (1975), which helped inspire both Martin Sherman's play Bent and Richard Plant's study Pink Triangle.

Three unique public programs relating to the special exhibition
Nazi Persecution of Homosexuals 1933-1945


    LAVENDER SONGS: WEIMAR CABARET AND BEYOND

    COMING INTO FOCUS: FILMMAKERS DEPICT THE EXPERIENCES OF HOMOSEXUAL VICTIMS OF THE NAZI ERA

    "SO I STOOD ALONE WITH MY MEMORIES ..." THE MEN WITH THE PINK TRIANGLE, 1945–2003


This program series is made possible by a gift from The Blanche and Irving Laurie Foundation.

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