United States Holocaust Memorial Museum The Power of Truth: 20 Years
Museum   Education   Research   History   Remembrance   Genocide   Support   Connect
Donate

Press Kits

FIGHTING THE FIRES OF HATE: AMERICA AND THE NAZI BOOK BURNINGS

PRESS RELEASE

FIGHTING THE FIRES OF HATE, AMERICA AND THE NAZI BOOK BURNINGS OPENS AT MUSEUM

April 13, 2003


“TYRANNY CANNOT DEFEAT THE POWER OF IDEAS”
— Helen Keller

April 13, 2003 — Seventy years ago this May 10, just a few months after Adolf Hitler came to power in Nazi Germany and a full six years before World War II, German university students carried out an “Action Against the Un-German Spirit” targeting authors ranging from Helen Keller and Ernest Hemingway to Albert Einstein and Sigmund Freud. Their orchestrated book burnings across Germany would come to underscore German-Jewish writer Heinrich Heine’s 19th century warning, “where one burns books, one soon burns people.”

On April 30, the United States Holocaust Memorial Museum will open a special 10th Anniversary exhibition Fighting the Fires of Hate: America and the Nazi Book Burnings. It provides a vivid look at the first steps the Nazis took to suppress freedom of expression, and the strong response that occurred in the United States both immediately and in the years thereafter. The exhibition focuses on how the book burnings became a potent symbol during World War II in America’s battle against Nazism, and concludes by examining their continued impact on our public discourse.

Covered widely in the media, the Nazi book burnings provoked immediate, strong reactions in the United States among writers, artists, scholars, journalists, librarians, labor unions, clergy, political figures, and others. Newspaper editorials and political cartoonists denounced the bonfires. Newsweek called it a “holocaust of books”; TIME a “bibliocaust.” American writers including Helen Keller, Lewis Mumford, and Sinclair Lewis – some of whose books had been consigned to the flames – wrote open letters condemning the book burnings. The American Jewish Congress organized massive street demonstrations in more than a dozen U.S. cities to protest Nazi persecution of Jews, using May 10 and the book burnings to broaden the coalition of anti-Nazi groups.

“Americans were deeply offended by the book burnings, which were a gross assault against their core values,” said Museum Director Sara Bloomfield. “Their response was intense, in fact so strong that throughout the war the government used the book burnings to help define the nature of the enemy to the American public. Unfortunately, the systematic murder of Europe’s Jews was not seen as a compelling case for fighting Nazism.”

As World War II progressed, President Franklin D. Roosevelt would evoke the book burnings as a vivid example of the difference between a democratic America and Nazi Germany. First Lady Eleanor Roosevelt condemned the book burnings in her daily newspaper column. The exhibition also focuses on how organizations ranging from the Library of Congress, the American Library Association, the American Booksellers Association, and the National Council of Women to the Writer’s War Board, the Council on Books in Wartime, and the Office of War Information used the 1943 10th anniversary of the book burnings to rally Americans around the war effort. It documents how the importance of books and the free marketplace of ideas were given currency through the slogan “Books Are Weapons in the War of Ideas,” which appeared in posters, proclamations, radio broadcasts, and scores of other outlets.

The exhibition concludes with the postwar years, exploring how the Nazi book burnings have continued to resonate in American politics, literature, and popular culture. It features post-war evocations of book burnings, including a McCarthy-era speech in which President Eisenhower urged Dartmouth graduates, “Don’t join the book burners”; films such as Pleasantville and Field of Dreams; episodes of The Waltons and M*A*S*H; the death threats against Salman Rushdie; and the public burning of J.K. Rowling’s Harry Potter books.

Fighting the Fires of Hate: America and the Nazi Book Burnings will run through October 13, 2003, at the Museum and then travel nationwide. It includes displays of period artifacts, documents, and news coverage, along with film, video, and newsreel footage. For more information on the exhibition and the series of programs highlighting the Museum’s 10th Anniversary, visit www.ushmm.org.

Book burning in Opera Square, Berlin, May 10, 1933.
Up to 100,000 Americans attended an anti-Nazi rally in New York City on May 10 in reaction to Nazi persecution of Jews and the book burnings.  It was at the time the largest political demonstration in New York City history.
Jerry Doyle, “The Way the Wind is Blowing,”  Distributed by the Council on Books in Wartime.  Published in May 1933 in scores of newspapers nationwide.
Herblock, “This One Doesn’t Burn Easily,” <i>Washington Post</i>, June 18, 1953.
Helen Keller’s work, <i>Wie ich Sozialisten wurde</i> (<i>How I Became a Socialist</i>) was banned by the Nazi regime.
Man dressed as Adolf Hitler protesting the burning of <i>Harry Potter and the Sorcerer’s Stone</i> in Alamogordo, New Mexico, December 30, 2001.
Cover of <i>News-Week</i>, May 27, 1933.
<i>Books Are Weapons in the War of Ideas</i> poster produced by the Office of War Information.  This poster featuring a quote from President Roosevelt was one in a series.
<i>Ten Years Ago The Nazis Burned These Books...but free Americans Can Still Read Them</i>.  The Office of War Information produced this poster.  The Council on Books in Wartime supplied it to bookstores and libraries for window displays exposing “the nature of the enemy.”
FDR’s 1941 State of the Union enunciated the “Four Freedoms.”  In this June 1943 Lord & Taylor’s patriotic window display, Norman Rockwell’s famous <i>Freedom of Speech</i> poster is used to contrast American values against Nazi book burnings.
German students and S.A. members with books and manuscripts to be burned in a public book burning.  Berlin, May 10, 1933.

High-resolution images for print or web, along with captions and credits, are available by clicking on the images above.

The images are for the promotion of the United States Holocaust Memorial Museum only. Any reproduction of the images must include full caption and credit information. Images may not be cropped or altered in any way or superimposed with any printing.